Yes, the game has significantly fewer cinematics than past games, and (wisely) trades in the series' ponderous codec-transmission exposition dumps for optional cassette tapes you can play at your leisure while you play. There are some real doozies in this story. As such, you already know what the inevitable outcome of this game has to be, which is not to say that The Phantom Pain is without its surprises.
The Phantom Pain is crammed into the last unexplored period in Metal Gear's enormous century-long timeline, picking up in the mid-1980s as the once hero and future villain Big Boss builds up the army-without-a-nation that will figure prominently into the series' future events. An enormous set of tools and exceptional enemy AI make MGSV arguably the best stealth sandbox ever made. The Phantom Pain isn't without fault, but the core of this thing is so fresh and so profoundly satisfying-and it's rife with oddball Metal Gear-ness in so many subtle, quirky ways-that you absolutely need to experience it for yourself.
#Metal gear solid v review xbox one series
Just when you thought stealth games were pretty much dead, here comes the series that didn't even seem to care about being a stealth game anymore to show everyone else how it ought to be done.
#Metal gear solid v review xbox one movie
The game embodies a particular irony: in what may well be Metal Gear's final outing, the series often derided as more movie than game has delivered perhaps the most impressively deep, dynamic, exhilarating stealth combat sandbox ever made. Metal Gear Solid V feels like Hideo Kojima having one last laugh.
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